Artist, educator, curator & researcher · Co-Director, Ponte d’Arte
Hand-dyed textiles and yarns; hand and machine embroidery · 2000 × 1700 mm
Image to come(Missing info)An artwork makes whole, and allows us to recognise as a whole, what we had only known in a fragmented fashion.Nicholas Davey, philosopher
The red shawl was made over a five-year period within a decade-long liminal phase — contemplating, and finally taking, the step of divorce after twenty-six years of marriage. A liminal phase is a rite of passage, and the making became a meditative, ritualistic and transformative process.
Traditionally a shawl is a protective covering offering shelter and warmth; this one has solid and fragile areas echoing the fluctuating state of the marriage. Its embroidered patterning derives from DNA strands, cells, nerve endings, veins and neurons. The colour red references blood — a token of violence, but also the essence of life. Photographs: N Zimmer.
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